This weekend saw the unveiling of the Nellie Boyd dress on Friday, and it's final appearance on Saturday, and therein lies a tale. And a lesson learned (well, many lessons learned).
The dress looked almost exactly as I had pictured in my head.
The lace panels down the front still bother me. I tried several different things here, but after a certain point you just have to make a decision and go with it. I'm happy with everything else. Except the fabric.
Yes, this beautiful periwinkle blue, faux silk fabric, that just looks so lovely, is a nightmare. It sheds! Everytime I worked with it, there was a fine blue dusting on everything - my sewing machine, my iron, my ironing board, and in my fingernails. Ugh! So of course, adding cream lace was the biggest problem. I didn't realize how much until I looked at the cuff of the sleeves. They are dark blue from rubbing against the fabric. And all the other lace appliques are rather gray instead of cream. Oh, well. It was very cheap, and I didn't even consider washing it first. In the future, will just have to be more critical of my fabric before I start using it.
Also, back hooks are a bad idea if you don't have a lady's maid. I had to have my loved ones help me get in and out of it. I plan to make another 1905 outfit, but I will make it with a front buttoning shirtwaist, and a front buttoning bodice. And fabric that doesn't shed.
The dress was a big hit, though. Here is Miss Nellie Boyd at dinner on Friday night.
Now, I have a new bustle to make for the HSF Challenge #4 - Under it all. Or, I could clean the house. Heh.
Showing posts with label 1905 Dress. Show all posts
Showing posts with label 1905 Dress. Show all posts
Sunday, February 23, 2014
Monday, February 3, 2014
Nellie Boyd's 1905 Dress Part 1
In the past, I have not posted detailed progress reports of my projects as many bloggers do, mainly because I am self-taught, and I wouldn't want anyone to think that this is "the way it should be done." A lot of my methods are trial and error discoveries. But, since this is my sewing blog, and I have been doing this long enough to at least pretend I know what I'm doing, I want to start documenting my sewing projects. I start with this 1905 dress that needs to be finished by February 21st.
Nellie Boyd (1851-1909) was a famous and well-loved actress in the old west. She travelled by stage coach in the early days, and then by train as the railroad spread west. Hers was the first professional theatre troupe to come to El Paso back in 1881. For that reason, I chose her as my alter-ego, and have done extensive research. In February, I will give my first public talk as Miss Boyd.
I chose a 1905 dress because I am speaking as the retired Miss Boyd, who now owns a raisin farm in Fresno (don't laugh, she was very successful!) In her waining years, she did speak now and then in various venues, though probably not at a Rancher's Grill. I also just really like the fashion of that era and wanted an excuse to make a dress.
This is my starting point:
Yes, I know its says 1903, but what's two years between friends? Anyway, I found some beautiful periwinkle blue polyester that really has the look and feel of silk (as much as polyester can.) I also scored some cotton lace and trim.
I am using Simplicity Costume pattern #9723 because I never learned how to make my own pattern, but I have gotten pretty good at fiddling with commercial ones to make them do what I want. I started with the bodice. I have some polished cotton as a lining/foundation. I attached the lace to it for the bib and collar.
The pattern - and historical accuracy - calls for stays on the bodice. I usually use spiral bones, but I only had steel short ones, so the don't bend pretty.
The pattern also calls for attaching the outer layer to the lining, which I did. I made the outer layer a little bigger, because I wanted more of a pooch on the pigeon pouter part of the bodice. It's rather pronounced on the model, but scaled back in the modern pattern. Also, the pattern did not require a lining on the back half of the bodice (really?) I fixed that, too.
This is before I sewed the side seams. I was reluctant to, because I really should have applied the embellishments before I put it together, but I am just having a hard time deciding exactly what I want on it and how to use my lace to its best advantage. So, I will complete it, and the skirt as well, and then decide. It will be trickier to to attach, but I will be happier knowing what it will look like.
This is where it stands now. Next up, the sleeves and the skirt.
Nellie Boyd (1851-1909) was a famous and well-loved actress in the old west. She travelled by stage coach in the early days, and then by train as the railroad spread west. Hers was the first professional theatre troupe to come to El Paso back in 1881. For that reason, I chose her as my alter-ego, and have done extensive research. In February, I will give my first public talk as Miss Boyd.
I chose a 1905 dress because I am speaking as the retired Miss Boyd, who now owns a raisin farm in Fresno (don't laugh, she was very successful!) In her waining years, she did speak now and then in various venues, though probably not at a Rancher's Grill. I also just really like the fashion of that era and wanted an excuse to make a dress.
This is my starting point:
Jacques Doucet (French, Paris 1853–1929 Paris)
Afternoon Dress, ca. 1903
Metropolitan Museum of Art
Metropolitan Museum of Art
Yes, I know its says 1903, but what's two years between friends? Anyway, I found some beautiful periwinkle blue polyester that really has the look and feel of silk (as much as polyester can.) I also scored some cotton lace and trim.
I am using Simplicity Costume pattern #9723 because I never learned how to make my own pattern, but I have gotten pretty good at fiddling with commercial ones to make them do what I want. I started with the bodice. I have some polished cotton as a lining/foundation. I attached the lace to it for the bib and collar.
The pattern - and historical accuracy - calls for stays on the bodice. I usually use spiral bones, but I only had steel short ones, so the don't bend pretty.
The pattern also calls for attaching the outer layer to the lining, which I did. I made the outer layer a little bigger, because I wanted more of a pooch on the pigeon pouter part of the bodice. It's rather pronounced on the model, but scaled back in the modern pattern. Also, the pattern did not require a lining on the back half of the bodice (really?) I fixed that, too.
This is before I sewed the side seams. I was reluctant to, because I really should have applied the embellishments before I put it together, but I am just having a hard time deciding exactly what I want on it and how to use my lace to its best advantage. So, I will complete it, and the skirt as well, and then decide. It will be trickier to to attach, but I will be happier knowing what it will look like.
This is where it stands now. Next up, the sleeves and the skirt.
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